In the words of Spare, there should be "a deliberate striving to forget it". Īfter charging the sigil, it is considered necessary to repress all memory of it. Using any of the gnostic techniques he reifies the sigil and then, by force of will, hurls it into his subconscious from where the sigil can begin to work unencumbered by desire. The magician acknowledges a desire, he lists the appropriate symbols and arranges them into an easily visualised glyph. The chaos magician then uses the gnostic state to "launch" or "charge" the sigil – essentially bypassing the conscious mind to implant the desire in the unconscious. In chaos magic, following Spare, sigils are commonly created in a well ordered fashion by writing an intention, then condensing the letters of the statement down to form a sort of monogram. In a very real sense, everything he created was an act of sorcery. The same techniques and consciously driven functional intention also permeated his paintings. He would reduce a name or an idea to a "glyph" and then write across the paper from right to left, turn the paper and do the same again, and so on, turning the paper around and around to create a multidimensional grid. It also influenced artist Brion Gysin, who experimented with combining Spare's sigil method with the traditional form of magic squares:Ĭalligraphic magick squares were one of the techniques most commonly applied by Gysin. Spare's technique became a cornerstone of chaos magic (see next section). Spare did not agree with medieval practice of using these, arguing that such supernatural beings were simply complexes in the unconscious, and could be actively created through the process of sigilization. Austin Osman Spare Īrtist and occultist Austin Osman Spare (1886–1956) developed his own unique method of creating and using sigils, which has had a huge effect on modern occultism. The sigil was like a signature or sign of an occult entity. The Sigil shall then serve thee for the tracing of a Current which shall call into action a certain Elemental Force") and it was used in the making of talismans. The members of the Golden Dawn were perfectly familiar with it ("combining the letters, the colours, the attributions and their Synthesis, thou mayest build up a telesmatic Image of a Force. The word sigil has a long history in Western magic. The locations were then connected by lines, forming an abstract figure. An excerpt from Sefer Raziel HaMalakh featuring various magical sigils (or סגולות, segulot, in Hebrew).Ī common method of creating the sigils of certain spirits was to use kameas, a special use case of magic squares - the names of the spirits were converted to numbers, which were then located on the magic square. Such sigils are considered by some to be the equivalent of the true name of the spirit and thus granted the magician a measure of control over the beings. A particularly well-known list is in The Lesser Key of Solomon, in which the sigils of the 72 princes of the hierarchy of hell are given for the magician's use. The magical training books called grimoires often listed pages of such sigils. In medieval magic, the term sigil was commonly used to refer to occult signs which represented various angels and demons which the practitioner might summon. The term sigil derives from the Latin sigillum (pl. The use of symbols for magical or cultic purposes has been widespread since at least the Neolithic era. History 72 seals from The Lesser Key of Solomon In modern usage, especially in the context of chaos magic, a sigil refers to a symbolic representation of the practitioner's desired outcome. The term usually refers to a pictorial signature of a deity or spirit (such as an angel or demon). A sigil ( / ˈ s ɪ dʒ ɪ l/) is a type of symbol used in magic.
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